Compositions

Fugal Overture

Maxwell Kaye

Cascade Sinfonietta (Nicoletta Moss Miller and Ryan Bair, conductors)

Recorded in Lagerquist Hall at Pacific Lutheran University, Tacoma, Washington, U.S.A. July 1, 2023

Last week I had the great honor of flying out to the Seattle area and participating in the inaugural Composers' Workshop at the Cascade Conducting festival. Along with four other

Cascade Sinfonietta (Nicoletta Moss Miller and Ryan Bair, conductors)

Recorded in Lagerquist Hall at Pacific Lutheran University, Tacoma, Washington, U.S.A. July 1, 2023

Last week I had the great honor of flying out to the Seattle area and participating in the inaugural Composers' Workshop at the Cascade Conducting festival. Along with four other young composers, I was coached by David Ludwig, composition professor and dean of music at Juilliard (and all around one of the nicest people I've ever met), and Gabriella Smith, a local composer and former student of Ludwig's who is not only a wonderful composer, but a supremely cool person too.

We were asked to write pieces for sinfonietta (a mini-orchestra consisting of one person per instrument) for a reading session led by orchestral conducting participants. We were each assigned two conductors to work on our respective pieces. This video is compiled from multiple takes from both conductors stitched together, as I decided to use the best takes of each section of the piece.

Thank you Nicoletta and Ryan for working so hard on my piece and treating it with so much care; to Sarah Ioannides, music director of Symphony Tacoma, who mentored them; to the musicians of Symphony Tacoma who assembled the sinfonietta and played so well after not much rehearsal time; and of course, to David Ludwig and Gabriella Smith for their wonderful feedback and coaching.

Congratulations to the other four composers who all wrote terrific pieces: Julia Vlahogiannis, Laura Fernanda Zúñiga Ávila, Finn Mattingly and Danial Sheibani! You're all amazing people and it was so great to meet you last week!

And finally, thank you Alaska Airlines for only delaying my flight home by an hour.

I hope you enjoy this piece! Thank you for listening.

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String Quartet No. 2 "Urban Mosaic"

Maxwell Kaye

Performed at the Charles Ives Music Festival in Ridgefield, Connecticut, on August 6, 2021.

Chelsea Starbuck Smith and Julia Choi, violins; Jacob Shack, viola; Mitch Lyon, cello

I wrote this string quartet in September 2020 for the Charles Ives Music Festival's (CIMF) composition reading the following month, and it received a fully rehearsed

Performed at the Charles Ives Music Festival in Ridgefield, Connecticut, on August 6, 2021.

Chelsea Starbuck Smith and Julia Choi, violins; Jacob Shack, viola; Mitch Lyon, cello

I wrote this string quartet in September 2020 for the Charles Ives Music Festival's (CIMF) composition reading the following month, and it received a fully rehearsed performance at the same festival the following summer. Like many people, I felt trapped at home during the COVID-19 pandemic, and yearned for the old days when I was able to visit colleges and explore bustling cities like New York, Boston and Philadelphia, wandering the streets and taking in the buzzing atmosphere. I wrote this piece as a tribute to these city walks, and I attempted to convey the intricate mosaic of neighborhoods and settings that makes up each city. The emotions change as readily, and range from frenzied excitement to sentimentality and a hint of longing for the before times.

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Bucolic Fantasy

Maxwell Kaye

Bucolic Fantasy attempts to convey the feelings of peace and wonder that come with an escape from modern civilization into nature. In this composition, I was inspired by stories of the Greek god Pan, who embodied nature and was said to carry pan pipes, which were named after him. Because of this association, I interpreted the flute as an

Bucolic Fantasy attempts to convey the feelings of peace and wonder that come with an escape from modern civilization into nature. In this composition, I was inspired by stories of the Greek god Pan, who embodied nature and was said to carry pan pipes, which were named after him. Because of this association, I interpreted the flute as an embodiment of nature in itself.

Bucolic Fantasy was composed between May and June 2020 and recorded by flutist Mimi Stillman as part of the Young Artist Summer Program at the Curtis Institute of Music, which took place online in 2020. It was premiered in a five-hour livestreamed recital with works by 54 other composers.

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Earthrise, for chamber ensemble

I wrote this piece to commemorate the 50th anniversary of the moon landing. It is supposed to depict the scene as the three astronauts arrived, and convey the wonder and mystery of the alien landscape. It was recorded by faculty of the Danbury Music Centre's Chamber Music Intensive on August 9, 2019.

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Yearning to Breathe Free, for soprano and piano

This was my first foray into vocal composition, and I wrote it in July 2019 at Eastman School of Music while attending their Summer Classical Studies program. It is a setting of the classic American poem "The New Colossus" by Emma Lazarus, which calls for the welcoming and embrace of immigrants and refugees. I wrote it for soprano Erin Ennis and

This was my first foray into vocal composition, and I wrote it in July 2019 at Eastman School of Music while attending their Summer Classical Studies program. It is a setting of the classic American poem "The New Colossus" by Emma Lazarus, which calls for the welcoming and embrace of immigrants and refugees. I wrote it for soprano Erin Ennis and pianist Ethan Resnik, who performed it at Eastman, but this particular recording was made on January 19, 2020, with soprano Arianna Carlo and pianist David Baranowski.

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String Quartet in C Minor

This composition was a long-term project I started in 2016. I completed it in March 2018 after about two years, and it was premiered at the Eastman School of Music in July 2019. Musicians are Sooah Jung (first violin), Nash Ryder (second violin), Ryan Hardcastle (viola), and Henry Myers (cello).

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Movement for String Trio

I was commissioned to write this piece for the Chamber Music Intensive, a week-long seminar I participated in the summer of 2018. Throughout the week, I worked with musicians from my age group to prepare the piece, and it was performed in a concert at the end of the week.

The performance was held at the Danbury Music Centre in Danbury, CT, USA, on

I was commissioned to write this piece for the Chamber Music Intensive, a week-long seminar I participated in the summer of 2018. Throughout the week, I worked with musicians from my age group to prepare the piece, and it was performed in a concert at the end of the week.

The performance was held at the Danbury Music Centre in Danbury, CT, USA, on August 12, 2018. The piece was played by Molly Birdsall on violin, Jacob Shack on viola, and Ellery McFarland on cello.

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Septet for Winds and Strings

I wrote this piece in the middle of a huge creative burst I had in mid-2018. It took me about three weeks to complete. Hopefully I will soon get the chance to get it performed, but for now I have a rendering of it generated by NotePerformer 2.0.2.

The piece is scored for clarinet, horn, bassoon, and string quartet.

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